Teeny
Tucker
Two Big M’s
www.teenytucker.com
TeBo Records
By Ben Cox
Run Time: 30:50
Imagine two of the most infamous female blues
singers of all time jammed together into one disc, sprinkle in a
little bit of a Memphis gospel icon, add some male blues royalty on
top of that and you have the ingredients for Teeny Tucker’s lastest
album “Two Big M’s.”
The two infamous blues singers are Big Maybelle
and Big Mama Thornton, to whom the album is dedicated to and from
whom most of the songs on this disc come from. The Memphis gospel
icon I speak of is Mavis Staples, whom Tucker’s voice instantly
reminded me of and brought to my mind, especially her younger days
on Stax when the Staples Singers hadn’t quite crossed over to
mainstream yet, and the male blues royalty I speak of is Teeny’s
father Tommy Tucker.
Teeny has been in the international blues
limelight since her debut at the Apollo in 1996. Teeny went on to
form a blues band with 2006 IBC winner Sean Carney and subsequently
finished in the Top 3 for three straight years before Carney broke
away to his own band and success a few years ago. Teeny has since
recruited a new guitar player and musical partner in Robert Hughes
and beginning to forge her own way with this current disc that’s
sure to be a favorite of 2008.
Teeny’s vocals blast loud and clear into a
sassy gospel-tinged blues singer with the commonly overdone “Hound
Dog” on track one, the signature of Big Mama Thornton’s catalog.
However, with the spare and tight arrangement and Teeny’s sassy but
pure vocal gift, the song is anything but tired. Teeny is one of the
few gifted artists who can channel the feel of an artist she’s
covering but still calling the songs her own. My personal favorite
is the innuendo-laced “Bumble Bee” again from Thornton’s catalog.
David Gastel adds some great acoustic harmonica rhythm playing as
well as some accentuated and abrupt solos here and there, but never
over the top and never fancy, just some good ol’ straight ahead
blues.
Another song that will probably be immediately
snatched up by radio is the infamous “Whole Lotta Shakin’,” which
many know as a Jerry Lee Lewis signature. However, this is no Jerry
Lee Lewis tribute and it sure isn’t a rock n roll album, either.
Teeny & Co. break it down with a classic R&B almost Texas shuffle
with some brilliant piano work by Vernon Hairston. Also,
complimentary throughout the album is Robert Hughes less is more
approach to the guitar. Never one to burn brighter than Teeny but
he’s not a shabby compliment to her at all. In fact, Hughes chicken
pecks around accents to Teeny’s vocals is what blues guitar should
be about. Solos are swiftly in mood and lushly steeped in the
tradition that these songs come forth from. In fact, Hughes reminds
me of the young Buddy Guy in some parts from those Muddy Waters Band
sessions that Big Mama Thornton recorded some of her more infamous
sides.
With most of the tracks not running more than
three and a half minutes, you might feel that the disc is here and
then its gone. Meaning that you’ll probably be giving it more than
one spin in your car or CD player trying to go back and find the
little things you liked but missed the first time around. And, it’s
just another tip of the hat to minimal arrangements allowing the
songs and the musicianship not fall into the trap of being so
relaxed that they become lazy. In fact, it makes the disk and those
playing on it more brilliant and unbelievable by capturing the sound
and feel and more importantly the groove in those three or so
minutes. If you love traditional blues with a touch of the
contemporary or a bit of an update, I highly recommend this disc to
you.
Ben Cox is a Blues Songwriter, Musician, DJ and Journalist.
|